When you’re not entirely satisfied with your master’s, you can ask for revisions; these are included in the fee.

Every time you change the original mix, a new master must be made. I use analog hardware equipment that must be set up for every master. Any adjustments in the production or mix need to be re-recorded through my mastering chain.

After each mastering session, there’s a 14-day review period, except for holiday periods where we’ll extend this reveiw period. Take the time to listen to your master on different playback systems to make sure you’re 100% satisfied. I set aside time weekly for revisions to deliver changes quickly.

If I haven’t heard back from you after these 14 days, I assume you’re satisfied with the master, and the project will be closed. This ensures everybody will receive the quality and attention they deserve.

To accurately master your track, we require WAV or AIFF files in the same sample rate you recorded with a bit depth of 24-bit or 32-bit floating point, if possible. Remove the limiter from your master bus inside your DAW and leave around 6dB of headroom between the loudest peaks and 0dBFS (only necessary with 24-bit audio files).

If you’ve got an ISRC (international standard recording code), provide this information in your original message or as an included .txt file.

For Albums and EPs, please provide us with an ordered track list so we can think about the gaps before and after each track in the album’s context.